Deborah Pearson

Maker of Live Things

Deborah Pearson holds up a white banner on a stick while a film is being projected onto a wall, this casts the shadow of the banner and Deborah Pearson onto the film. The film is of people protesting.
History History History (Musings on Film review)
Deborah Pearson holds up a white banner on a stick while a film is being projected onto a wall, this casts the shadow of the banner and Deborah Pearson onto the film. The film is of people protesting.
History History History (BFI review)
Cover for Contemporary Theatre Review
The Knotty Ethics of Using Family Material in History History History (essay in journal)
Deborah Pearson on It’s All Made Up (interview)
Two people standing opposite each other having a discussion in a blue soundproof room, between them another person sits with a blue table in front of them.
All the building is a stage (The Guardian review)
Forest Fringe: The First Ten Years (book)
History, History, History (trailer)
Make Yourself at Home (interview)
Deborah Pearson holds up a white banner on a stick while a film is being projected onto a wall, this casts the shadow of the banner and Deborah Pearson onto the film. The film is of people protesting.
History History History (The Fix Magazine review)
A white circle is obscuring a face, so only the long hair and neck are visible. Above are the words 'Made Visible' and underneath 'Who said anything about a racial lens'
Made Visible (The Guardian review)
The cover of The Future Show book.
The Future Show (book)
Cover of Canadian Theatre Review
Curation as a Form of Artistic Practice (essay in journal)
Cover of Canadian Theatre Review
Unsustainable Acts of Love and Resistance: The Politics of Value and Cost in One-on-One Performances (essay in journal)
Cover of Performance Research 20.4
Two Live Artists in the Theatre: A DIALOGUE WITH TANIA EL KHOURY & DEBORAH PEARSON (article in journal)
The Future Show (excerpt)